Booda French – 6AM Coffee Club (Review)

Booda French, Reviews

Ipswich rapper Booda French has been a familiar face on the UK scene for over a decade. You might recognise him as a much younger man shouting freestyles at the top of his voice when he went by the more basic name of Truth, but in later years he has excelled as Booda, with a string of insanely dope EP releases. 2017 finds him partnering with established label Eatgood Records for his ‘6AM Coffee Club’ LP.

French’s eclectic, unashamedly strange approach is exemplified on the opening cut ‘Astronauts’; the sparse, synthetic instrumental is laced with intricate syllables executed through abstract phrasing and an inventive, melodic delivery, and Booda French’s unique style is instantly compelling. ‘The Feeling’ is beautifully executed over a silky smooth, tasteful beat which is complimented by jazzy keys, and the superb,  emotional vocal from the Ipswich lyricist makes it clear why he’s one of the most creative artists out there right now, and he’s not afraid to lay his heart on his sleeve.

Veteran UK spitter Joker Starr contributes a memorable, catchy chorus on the excellent ‘Forts’; the subtlety and mellow soundscapes found throughout ‘6AM Coffee Club’ a perfect match for Booda French’s vivid imagery and relaxed tone, as he delivers one chilled-out track after another. When an artist focuses their efforts on restrained, thought-provoking music, the result can sometimes be a little stagnant; French’s approach is original, and his tone unashamedly weird, and this keeps you engaged with his every line.

New York producer/rapper J57, a frequent Booda French collaborator, appears on the standout track ‘Kings Elect’; the loud, crunching boom bap drums and reflective, descriptive writing from both MCs make for an exhilarating ride. The sonic direction is consistently surprising and wholly entertaining, and the LP’s cohesion is a huge factor in the success of the project. ‘Young World’, the finale of the ten track album, is a crisp, upbeat song that leaves us on the most hopeful note of the LP, and showcases Booda French’s hip-hop sensibilities and crossover potential in one concise cut.

‘6AM Coffee Club’ is eclectic in it’s direction, taste and execution. This is far from your traditional, stereotypical hip-hop album, and is a dense, complex and ultra-lyrical body of work that exemplifies just how creative and different British rap music can be. Eatgood Records have long been a respected powerhouse, releasing quality music from established artists such as SonnyJim and Percy Filth, and Booda French can now be added to that list with this exciting and impeccably administered project.

By Sam Bennett

@TheRealPP

@LYTEWORK

@BoodaFrench

http://www.facebook.com/LYTEWORK

http://www.eatgoodrecords.bandcamp.com

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Leaf Dog – Dyslexic Disciple (Review)

Leaf Dog, Reviews

As a member of a variety of incredible groups, as well as being one of the most sought after beatmakers in the United Kingdom, not to mention a classic 2011 LP ‘From A Scarecrow’s Perspective’, Leaf Dog is one of the most respected and talented artists out there right now. 2017 finds him standing out on a solo tip once again with ‘Dyslexic Disciple’, released through the UK powerhouse High Focus Records, and featuring appearances from some of the finest vocalists in the country.

When your minute and a half long intro is released as a preview for the LP on YouTube some weeks before the full length drops, and people are as gassed over it as they would be a structured single, you know you’re doing something right. The anticipation for Leaf’s sophomore solo effort has been huge, especially with the abundance of quality material he has given us since 2011s ‘From A Scarecrow’s Perspective’, and the follow-up gets underway with a bang. ‘Big Ego’s’ is a soulfully driven track with melodic keys spliced between the crunchy drums and soaring string samples; Leaf is a superbly skilled beatmaker, but he is no slouch with the pen either, as he delivers raw and honest opinions throughout the ‘Dyslexic Disciple’ album.

The raw, punchy ‘Know Myself’ is an early highlight. The confident delivery, the identifiable lyricism and the smooth, flawlessly executed instrumental are the ingredients of this flavoursome dish that blend together seamlessly, making for a perfect showcase of the signature Leaf Dog sound.  The crisp, soulful and reflective vibe of ‘Today’ is classic, golden era influenced hip-hop at it’s best, and the distinctive style of his subtle production is wonderfully engaging with soaring strings and emotive vocal chops. Joe Corfield contributes an inventive, silky instrumental for the jazzy standout ‘All In One’; the intricate plucked guitar and crisp drums are a perfect backing for Leaf’s energetic, charismatic lyricism.

Fellow RLD representative Smellington Piff appears on the emphatic ‘Pro Cultivation’, and smokers around the country will be keeping this one on repeat for months to come as Leaf and Piff deliver intoxicated verses at an insanely high potency. The rousing call to MC’s around the country on the single ‘My Scene’ is dope too; the anthemic horns and head-banging percussion makes for a definite standout, and the message is sure to inspire upcoming lyricists to continue on their quest to produce quality British hip-hop music. Revered LDZ MC Dabbla accompanies on the lively ‘Good Times’, setting up a strong selection of collaborations to close out the ‘Dyslexic Disciple’ album in stunning fashion.

‘Last Laugh’ features fellow Brother Of The Stone BVA along with the legendary Jazz T, and the stuttering, old-school beat is a fitting backdrop for the authentic, hard-hitting vocals and sublime cuts. The following track ‘The Reminder’ also features BVA; the chemistry the two spitters have is instantly apparent and unrivaled by their peers, and this is a prime example. If that wasn’t enough though Leaf recruits the off-kilter extraordinaire Kool Keith to deliver a characteristically entertaining verse over the raw self-produced instrumental, and surely this is the cherry on the cake. Don’t speak too soon though; the album closes out with the breathtaking cypher entitled ‘The Legacy’. It features a selection of the finest writers in the UK scene, and Leaf can also boast that he had both Phi Life Cypher and Task Force on the same track in 2017, and who ever thought that would be possible.

 Banging beats, a unique voice and clear hip-hop enthusiasm and appreciation runs through the ‘Dyslexic Disciple’ album from beginning to end, and the high standard that the High Focus label holds itself and its artists too continues with this emphatic release. Leaf Dog has produced a quality LP here, and the resources he pools (both in terms of rappers and producers) make for a cohesive album that is sure to satisfy any boom bap aficionado. Stop whatever you’re doing and go and support this release, and please Leaf, let’s not make it another six years before the third one.

By Sam Bennett

@TheRealPP

@LYTEWORK

@MCLeafDog

http://www.facebook.com/LYTEWORK

http://www.high-focus.com

Illinformed – The Mould Tape (Review)

Illinformed, Reviews

RLD Records, the label headed up by BVA and Leaf Dog, add to their growing list of quality hip-hop releases with ‘The Mould Tape’. The album comes from Illinformed, a producer who specialises in funky boom bap, who also happens to be Leaf Dog’s brother. The album features appearances from a vast array of the finest UK wordsmiths, including Jam Baxter, Fliptrix, Jack Jetson, Split Prophets and Eric The Red (the third brother; that’s one of the rawest families in hip-hop), amongst many many others.

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BVA’s solo cut ‘Still Slippin’ is an early highlight. With an intense instrumental, and a decisive delivery from BVA; the production is memorable and the writing intelligent. The album is packed with hard hitting posse cuts, and ‘War Drum’ is one of the sickest. Index and Smellington Piff have perhaps the verses with the most impact, but the line-up of six MCs is versatile and interesting. The tight flows and effective rhyme schemes demonstrated by BVA, and the charismatic, punchline heavy showing from Leaf Dog on the simple, gritty production makes ‘Back Down’ another great track.

‘My life’s a dish best served steaming’ says Jam Baxter on ‘Half Dead’. The gloomy instrumental is suited as Baxter, Lee Scott and Bill Shakes drop verses with vivid imagery and humourous references, Lee for example spits ‘chonging a cig like Dot Cotton’, and later requests that the other rappers he’s just ‘sonned’ refer to him as ‘Dad’. Manchester rapper Cheech and Blah Records spitter Stinkin Slumrok join for ‘Blunt Rock’. The jazzy sample work and crisp drums back the melodic flows of Cheech, and the grittily charismatic delivery of Slumrok perfectly.

‘The Platoon’, an uptempo cut that features Bristol collective Split Prophets, is another standout. Each MC represents to the fullest. The SP crew have a wealth of talented lyricists, and they each deliver on this track. ‘Smokey’ is a jazzy affair, and Cracker Jon, Verb T and Life MC trade off each other with three absolute killer verses. The album closes out with a solo track from J-Man; ‘Gettin Mouldy’ is a tune with a nice concept, and J-Man’s versatility is ever impressive, and here he displays his skill for dope hip-hop.

‘The Mould Tape’ is a really great project. Illinformed has a really cohesive sound, with a diverse array of collaborators, and that is a winning formula. Some albums from producers sound forced, or sound confused, but that isn’t the case here. There’s not a track that needs skipping, and a listen from start to finish is enjoyable. RLD have impressed again with this.

By Sam Bennett

@TheRealPP

@LYTEWORK

@IllinformedProd

http://www.facebook.com/LYTEWORK

http://http://www.rldrecords.co.uk